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Theory: Harry Shearer's Lie Made the Clown Cry

Alright, DataLounge divas, buckle up for a deep dive into some juicy Hollywood lore that’s been rattling around in my brain like a loose sequin. You know The Day the Clown Cried, Jerry Lewis’s infamous, unreleased Holocaust clown movie that’s been whispered about like it’s the lost Ark of the Covenant? Well, I’ve got a theory that’s spicier than a Bette Midler one-liner: Harry Shearer, Mr. Spinal Tap himself, might’ve shamed Jerry into burying this film for good. Hear me out, because this is a saga of egos, exaggerations, and a cinematic tragedy that never saw the light of day.

So, picture it: the 1970s through the 1990s. Jerry’s still riding high as America’s nutty professor, telethon king, and self-proclaimed genius. He’s proud of Clown Cried, even if it’s stuck in legal limbo over script rights. He’s showing rough cuts to buddies, talking it up like it’s his Citizen Kane. Fast-forward to 1992, and Harry Shearer, that snarky voice of a thousand Simpsons characters, pens a piece in Spy magazine claiming he’s seen the film. He calls it a disaster—maudlin, tasteless, an ego trip gone wrong. He paints Jerry as a clown (pun intended) who fumbled a sensitive subject. Then, in 2004, he doubles down on Howard Stern’s show, spinning the same yarn with that smug chuckle of his, dodging Howard’s prodding about whether it’s all a hoax. Suspicious, right?

Here’s where it gets good. I’ve seen the leaked clips from 2013 and that From Darkness to Light doc—hardly the trainwreck Shearer described. It’s somber, uneven, sure, but not some laughable catastrophe. My Spidey senses tell me Harry’s full of it. His story feels like something you’d cook up if you heard about the movie but never actually saw it. No specifics, just vague shade. And when Howard called him out, he got all fidgety—classic tell. I’m betting he exaggerated to sound like the coolest kid at the cinephile table, maybe to dunk on Jerry’s larger-than-life persona. Who doesn’t love a good takedown?

Now, the kicker: Jerry’s attitude shifts. By 2010, he’s calling Clown Cried a mistake, saying he’s embarrassed by it. This is the guy who once thought it was his masterpiece! What changed? I think Shearer’s public dragging planted a seed of doubt. Jerry was a narcissist (don’t @ me, his telethon tantrums and Dean Martin obsession scream it). He craved adoration, and criticism hit him like a pie in the face. Harry’s snide remarks, amplified by Spy’s hipster cred and Stern’s megaphone, could’ve made Jerry question his legacy. Imagine him thinking, “If they think it’s a joke, maybe I misjudged it.” Next thing you know, he’s locking it away, too proud to let it see daylight and risk more laughs.The saddest part? We might’ve been robbed of a bold, flawed gem. Those clips show Jerry trying something daring—maybe not perfect, but sincere. If Shearer hadn’t run his mouth, maybe Jerry would’ve fought harder to release it, or at least let the Library of Congress show it sooner. Instead, we got decades of myth and no movie. Harry, you owe us an apology, honey.

So, DL, what’s the tea? Am I onto something, or am I chasing shadows like a drag queen after a wig sale? Did Harry’s shade kill Clown Cried’s chances, or was Jerry just too sensitive for his own good? Spill your thoughts—and if you’ve got any dirt on Shearer or Jerry, I’m all ears.

by Anonymousreply 14May 2, 2025 11:53 PM

Here's the Stern interview.

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by Anonymousreply 1May 1, 2025 2:46 AM

Who cares?

If you think it's some sort of lost masterpiece, you're delusional.

by Anonymousreply 2May 1, 2025 7:06 AM

The footage shown in the From Darkness to Light does not fill me with confidence that the movie would have been anything but an embarrassing disaster for Lewis. He was right to bury it. I doubt Jerry gave two shits about what Harry Shearer thought.

by Anonymousreply 3May 1, 2025 7:36 AM

Harry Shearer's career is much longer than most people think. As a child actor, he was in a Leave It to Beaver ep. (among many other things)

Lewis's film career started skidding in the mid-1960s. The last vehicle he put together was Hardly Working. I think this was a few years after Clown.

I don't Lewis declared himself a genius. The French did that. They also eat snails.

by Anonymousreply 4May 1, 2025 10:44 AM

Jerry Lewis always creeped me the fuck out as a child

by Anonymousreply 5May 1, 2025 10:47 AM

R4 Jerry was perfect in The King of Comedy. That was 1982.

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by Anonymousreply 6May 1, 2025 11:04 AM

R3 I think the footage that's been released looks very interesting. Certainly nowhere near as bad as Shearer claimed.

by Anonymousreply 7May 1, 2025 12:43 PM

It can't be as bad as Jackie Gleason's Gigot...

by Anonymousreply 8May 1, 2025 2:24 PM

The Decoder Ring podcast did a deep dive of the entire history of this film a few months ago. Everything about the plot sounds totally wrongheaded and tone-deaf. Had Jerry released it, the film would likely have been a career killer.

After all, the movie ends with Jerry's clown character telling some kids a joke and them all laughing gleefully ... while they're in the gas chamber at Auschwitz, moments before their deaths.

That sounds like the worst ending ever filmed.

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by Anonymousreply 9May 1, 2025 4:03 PM

Lewis was lauded on talk shows in the 60s as this Wellesian wunderkind auteur who was going to rule Hollywood. He was a Very Special Guest.

By the 70s he was virtually MIA, reduced to crying and sweating on his yearly telethon.

by Anonymousreply 10May 1, 2025 4:47 PM

After he and Dean split up, he adopted the 'Buddy Love' smarmy personality. He tried hard to be considered a cool and sophisticated man like Dean but he just couldn't make the leap. The closest he came was in King of Comedy.

by Anonymousreply 11May 2, 2025 7:52 PM

It could also be because it was sort of remade without ever being released: Roberto Benigni/Life is Beautiful anyone?

by Anonymousreply 12May 2, 2025 8:58 PM

OP needs to find the hollow-earth community and save conspiracy theories about troubled films for them.

All that is involved now is the matter of taste. Personal, professional, industry, bankers' and investors', the informed public's and the less-informed publics', and the tastes of transgressives, camp enthusiasts, auteurs and the dead, the last of which must be surmised.

A couple of assertions help settle the matter for me.

Lewis was one of the unfortunate comedians growing out of the various influential Jewish traditions and styles who lacked an understanding, a soul for tragedy. That means his serious attempts always would fail because of their being expressed as kitsch ("Visit to a Small Planet" not counting). Schlock. Too earnest and devoid of the point. His overlong takes even in successful bits weren't just something from a less-rushed presentation. He loved his own stink and you were going to sit there and smell it for as long as he wanted. He was dismissive of others, except those forever above him. Frank! Jack! George!

He was not fucking around with his clown show. But whose tastes were being considered? I've only seen the few available pieces. But for me they were enough to see how limited he was and utterly wrong. Mostel could have played Lear. Lewis made the children's holocaust into a Keane sad-sack painting. And he thought he was being a cinematic Beckett, not the perverse snuff piece his ego mistook for an Ultimate Statement.

I go on at length because you did, OP. I'll wager my pomposity against your panting persona. Unless you're Michael Musto.

by Anonymousreply 13May 2, 2025 10:59 PM

R8, yes, Gleason should have been sued for the mortality his performance caused by audiences' dehydration from explosive vomiting.

His goofy love-me mugging. Brrff. Still a trigger. The RE-TARD subgenre was plain. ("Ain't I speshul?") A grand tradition, with Mickey Rooney, R O'D. But Lewis was trying to carve his own way through human anguish with a rubber knife.

But Lewis was serious, determined, and grim. He killed a mob of children to go to Sheol.

by Anonymousreply 14May 2, 2025 11:53 PM
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