Tilda for the lead Actress Oscar!

Bitch, please!

This movie has been at the very top of my "to watch" list.

"airbrush the back of your pickup truck!:"

I don't get it?

Julianne's dress looks like tin foil that chocolates are sometimes wrapped in.

R3, do yourself a favor and watch The Unbreakable Kimmy Schmidt on Netflix. It's a delight!

I thought that was Rosie

Tilda was lucky to get one nod already.

She'll never win Best Actress.

So you can quit your mule braying, OP.

and WTF is Tilda wearing??

Yes, this is at the top of my list to see. Moore and Portman should have been nominated for May December.

I adore Almodovar and Julianne Moore. And Tilda.

Fuck yeah I'm going to see it.

I couldn't clap for 17 minutes.

I would have if I had been at the DNC!

Yeah, what is the vibe at Venice? Everyone just trying to out-clap each other?

I heard this movie was based on Fran Leibovitz caring for Susan Sontag as she was dying from cancer. Can anyone confirm or deny?

I love Almodovar. The two actresses are excellent. But I like his films much more in Spanish and with Spanish actors and actresses.

Just imagining a 17 minute clap session is hilarious to me. WTF?

[quote] I love Almodovar. The two actresses are excellent. But I like his films much more in Spanish and with Spanish actors and actresses.

Considering this is his first film in English and it hasn’t even been released, how do you know you like his Spanish films more, R14?

Doesn’t make a lot of sense, does it?

I can't even clap for one minute.

He's already worked with Tilda on a short movie "The Human Voice" based on a story by Cocteau.

Deadline reviews and give a rave.

Moore, as the great exponent of the melodramatic heroine in the films of Todd Haynes, is in her element. She brings to Ingrid her own natural warmth, along with a deep reading of her character's cauldron of feelings, while steering clear of naturalism.

Swinton has the crackling directness of a career reporter who can straightforwardly name her favorite war; there is a more than a whiff of Katharine Hepburn about her, even as she seemingly wastes away before our eyes.

Pedro Almodóvar: ‘There should be the possibility to have euthanasia all over the world’:

r15 100% it was not for 17 minutes

[quote]I heard this movie was based on Fran Leibovitz caring for Susan Sontag as she was dying from cancer.

I think you mean Annie Leibovitz.

I'm trying to picture Fran as a ministering angel and it's hysterical.

The Wrap don't like it.

So, a laff-riot, r13? Sounds dull and boring. I mean, it's not like Sontag was scintillating even while in good health.

Art-house movie for the "Capote and the Swans" audience.

Time

[quote]Considering this is his first film in English and it hasn’t even been released, how do you know you like his Spanish films more, [R14]? Doesn’t make a lot of sense, does it?

R16: He did both 'Strange Way of Life¨ and 'The Human Voice¨ in English -- and yes, both are short films if you want to be contrarian (which you might). To be more precise, I should have said that I am and will remain much more enthusiastic to see his films in Spanish with Spanish actors and actresses.

There's pointless bitchery and then there's pointless *uninformed" bitchery. Some literal-minded people need everything spelled out for them. You're a patient man/woman, R14/R26.

Cheers, R27. The ranks of the literal-minded faction are swelling.

17 minutes. Lawd my feet would hurt.

There’s a line in it that is painfully Pedro. When Tilda’s character asks Julianne’s to be there at the end of her life, “Don’t you want someone closer?” Ouch.

Maybe it sounds better in Spanish.

New York Times.

Almodóvar said at the Venice premiere: “We all have a room next door, a place where we will eventually face ourselves and our lives. My hope is that this film gives people permission to talk about that room, even if it’s a little uncomfortable.”