Helmut Berger interview -1988
Q: In fact not much is known about you.
Helmut Berger: Ah no?
Q: No.
Helmut Berger: Why?
Q: It is not even known whether your name is Berger or Steinberger or...
Helmut Berger: My real name is Steinberger. It's Austrian.
Q: Yes. What did you do before? It is said that you set up a dramatic arts school in London, it is said...
Helmut Berger: No, my parents are in hotel management. I set up a hotel school. Afterwards, I went to London to go to drama school. I never went there because I...
Q: You didn't go to the school?
Helmut Berger: No, never. Because I overslept on the twentieth day. But I still took private lessons. And afterwards, well, I went to Rome, I tried out, tests for small parts, like everyone does when they begin as an extra.
Q: And what was your first film?
Helmut Berger: It was The Damned.
Q: You started directly with The Damned?
Helmut Berger: No, I had a small role in The Witches. It is a sketch. It's Visconti, Pasolini and Fellini who did it...
Q: Yes, there is a cassette that has just been released of The Damned. Everyone is buying it right now in France.
Helmut Berger: Really?
Q: Yes, because it is coming out on cassette. How did you meet Visconti?
Helmut Berger: I met him because I studied Italian at the Foreign University of Perugia. And I visited Tuscany and all of that. Well, I arrived in Volterra where he was shooting a film. I was there watching, I was fascinated. I was fascinated, I wanted to see how they shot a film. I met him there... it was Sandra of a Thousand Delights with Jean Sorel and Claudia Cardinale. In French it was called Sandra. There.
Q: How did it happen?
Helmut Berger: How did it happen?
Q: Your meeting?
Helmut Berger: Very simple because a friend of mine who is Neapolitan, and Visconti is from the house at [?]. They are friends. So my friend introduced me: "He is Visconti". He tells me that he has been preparing a film about an Austrian writer, of Musil [?]. Then he came to Rome, to do a test.
Q: Did you go?
Helmut Berger: I went, but I never did the film because Volker Schlöndorff did it. But afterwards, he was looking for cast members. He wanted to do Magic Mountain, by Thomas Mann, and it is not...how to say - it wasn't working. And Sautet as well. Well afterwards he wrote The Damned.
Q: Did he write it with you in mind?
Helmut Berger: No, because I was..... And I knew Mr. Krupp [?]. And I met these fascinating people. I introduced Arms to Mr. Visconti. Afterwards he had the idea of these men. He wrote... The whole story is between Thyssen et Krupp.
Q: He wrote the story for you in the end?
Helmut Berger: Yes
Q: What was your working relationship like? How did it go?
Helmut Berger: You know, it's very difficult because it was my first film. And I really didn't understand a thing about film.
Q: Everything happened?
Helmut Berger: Yes, I did well, good actor, bad actor. I was completely guided by Lucchino Visconti.
Q: And after that, how many films did you do with Visconti?
Helmut Berger: After that, hold on, I did Ludwig...
Q: The Mad King of Bavaria
Helmut Berger: Ludwig of Bavaria, I did Conversation Piece. There, three.
Q: Three with Ludwig. Are you aware that today you are a myth?
Helmut Berger: What?
Q: That you are a myth. You are not aware of this?
Helmut Berger: I am not yet dead...
Q: No, but you are a myth.
Helmut Berger: Well, that is nice.