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Bonjour Tristesse

Am I the only one who loves this movie?

I think it's really underrated

by Anonymousreply 31March 13, 2020 11:54 PM

Love it and LOVE the book.

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by Anonymousreply 1March 9, 2020 5:51 AM

Please, I can't be casual...

by Anonymousreply 2March 9, 2020 5:55 AM

It's beautiful. The monochrome and color sequences alone. Though I think Niven's and Seberg's acting isn't on a par with Deborah Kerr's - she's brilliant (and I love seeing her in really stylish clothes, for once. I also love the book and I think it captures a moment in time for a young adult that's so true to life. The locations are incredible too. And the hot young male actors.

by Anonymousreply 3March 9, 2020 6:20 AM

...close parentheses)

by Anonymousreply 4March 9, 2020 6:20 AM

Wonderful movie. Watched it again recently and it was even better than I remembered.

by Anonymousreply 5March 9, 2020 6:42 AM

A film for and about adults. Brilliant in its sublety, understatement and acting. They don't make them like that anymore.

by Anonymousreply 6March 9, 2020 6:46 AM

The truly stunning cinematography was by Georges Périnal , who won an Oscar for "The Thief of Bagdad". Inconceivably, he wasn't even nominated for "Bonjour Tristesse". I'm not big on Preminger, but this one is beautifully directed. Niven won an Oscar for "Separate Tables" the same year, but I thought he was much more interesting as Raymond.

Saul Bass' lovely title sequence:

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by Anonymousreply 7March 9, 2020 7:14 AM

Agree about the cinematography. Just stunning.

by Anonymousreply 8March 9, 2020 4:57 PM

Yes. Judy Holliday sang about it eloquently in The Bells Are Ringing.

by Anonymousreply 9March 9, 2020 5:08 PM

Scripted by a gay man, Arthur Laurents, to show how creepy father-daughter lurve can be.

Geoffrey Horne was HAF in this flick.

by Anonymousreply 10March 9, 2020 5:19 PM

The 1933 version of Little Women. Apparently, 12-year-old Amy looked like a 30-year-old Ziegfeld Girl

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by Anonymousreply 11March 9, 2020 7:19 PM

Ignore r11, that got cross-posted from another thread

by Anonymousreply 12March 9, 2020 7:20 PM

Who did the music in the film?

by Anonymousreply 13March 9, 2020 7:41 PM

Georges Auric

by Anonymousreply 14March 9, 2020 11:30 PM

It came out around the same time as the similar "A Summer Place" but is so much more frank, sophisticated and entertaining.

by Anonymousreply 15March 10, 2020 12:31 AM

Preminger discovered Jean Seberg for Saint Joan (1957); critics savaged her; Bonjour Tristesse (1958) was their second together, and she followed it with The Mouse That Roared (1959) and Breathless (1960). Preminger's two films after this were Porgy And Bess (where he took over from Rouben Mamoulian) and the masterpiece, Anatomy Of A Murder (both 1959), followed by Exodus (1960), and Advise And Consent (1962). He was on a roll. But his career went slowly downhill after that. In Harm's Way (1965) and Tell Me That You Love Me, Junie Moon (1970) were pretty good, though.

by Anonymousreply 16March 10, 2020 12:42 AM

I don’t think it was very well-regarded at the time of its release, but it’s justifiably grown in stature over the years. Deborah Kerr is outstanding — her close-up when she overhears a shocking conversation is heartbreaking. Terrific film.

by Anonymousreply 17March 11, 2020 12:56 PM

It's a fine film but a little too bleak for my taste. I suspect audiences were scandalized at the time.

by Anonymousreply 18March 11, 2020 12:59 PM

I also like Preminger’s “Such Good Friends”, R16. Elaine May’s screenplay has some hilariously acid moments, and Dyan Cannon is excellent (although she and Preminger were at each other’s throats during filming.)

by Anonymousreply 19March 12, 2020 12:49 PM

I posted this a while ago, but Cannon said Preminger couldn't direct his little nephew to the bathroom. Such bad enemies...

by Anonymousreply 20March 12, 2020 10:39 PM

I loved the book - probably because it was written by a teenage girl (which I was at the time!). The movie? Cinematography, scenery, so beautiful. But I thought Kerr and Niven weren't right. Jean Seberg was great but the other two were miscast. How about a thread suggesting replacements? I don't have the energy but would love to read suggestions!

by Anonymousreply 21March 12, 2020 11:53 PM

Grace Kelly, Cary Grant and Susan Strasberg.

by Anonymousreply 22March 13, 2020 12:34 AM

Grace Kelly - no. Cary Grant - yes. Susan Strasberg - yes. Grace Kelly would have been too much. Her personality precedes her plus she was a terrible actress. You're on the right track; please try again!

by Anonymousreply 23March 13, 2020 12:52 AM

A quiet masterpiece of a film. I think David Niven was a very underrated actor. And Kerr is always a master class. Say what you will about Otto but he always made adult films for adults. I appreciate that so much. Very few adult films.

by Anonymousreply 24March 13, 2020 1:02 AM

James Mason for Niven; Margaret Leighton for Kerr; Seberg stays.

by Anonymousreply 25March 13, 2020 1:07 AM

Leighton is a great alternative choice, but I thought Kerr was just fine.

by Anonymousreply 26March 13, 2020 1:09 AM

R22 Cary Grant and Ingrid Bergman?

by Anonymousreply 27March 13, 2020 2:59 AM

Fin.

Everybody see "Seberg". Kristen Stewart gives a very affecting performance, and looks gorgeous in 60's fashions. And Jack O'Connell is sex on a stick.

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by Anonymousreply 28March 13, 2020 4:28 AM

R25 / R26 Great suggestions. Do you think this film could be remade? Or is it too dated?

by Anonymousreply 29March 13, 2020 9:02 AM

I'd like to see it with Denzel Washington and Thandie Newton as the David Niven/Deborah Kerr characters. The Jean Seberg part would be a star-making role for a beautiful black teen actress.

by Anonymousreply 30March 13, 2020 6:30 PM

I’m in love with those tall, slender, dry-witted British men with posh accents and exquisite manners. David Niven ruined American men for me.

by Anonymousreply 31March 13, 2020 11:54 PM
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