Am I the only one who loves this movie?
I think it's really underrated
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Am I the only one who loves this movie?
I think it's really underrated
by Anonymous | reply 31 | March 13, 2020 11:54 PM |
Please, I can't be casual...
by Anonymous | reply 2 | March 9, 2020 5:55 AM |
It's beautiful. The monochrome and color sequences alone. Though I think Niven's and Seberg's acting isn't on a par with Deborah Kerr's - she's brilliant (and I love seeing her in really stylish clothes, for once. I also love the book and I think it captures a moment in time for a young adult that's so true to life. The locations are incredible too. And the hot young male actors.
by Anonymous | reply 3 | March 9, 2020 6:20 AM |
...close parentheses)
by Anonymous | reply 4 | March 9, 2020 6:20 AM |
Wonderful movie. Watched it again recently and it was even better than I remembered.
by Anonymous | reply 5 | March 9, 2020 6:42 AM |
A film for and about adults. Brilliant in its sublety, understatement and acting. They don't make them like that anymore.
by Anonymous | reply 6 | March 9, 2020 6:46 AM |
The truly stunning cinematography was by Georges Périnal , who won an Oscar for "The Thief of Bagdad". Inconceivably, he wasn't even nominated for "Bonjour Tristesse". I'm not big on Preminger, but this one is beautifully directed. Niven won an Oscar for "Separate Tables" the same year, but I thought he was much more interesting as Raymond.
Saul Bass' lovely title sequence:
by Anonymous | reply 7 | March 9, 2020 7:14 AM |
Agree about the cinematography. Just stunning.
by Anonymous | reply 8 | March 9, 2020 4:57 PM |
Yes. Judy Holliday sang about it eloquently in The Bells Are Ringing.
by Anonymous | reply 9 | March 9, 2020 5:08 PM |
Scripted by a gay man, Arthur Laurents, to show how creepy father-daughter lurve can be.
Geoffrey Horne was HAF in this flick.
by Anonymous | reply 10 | March 9, 2020 5:19 PM |
The 1933 version of Little Women. Apparently, 12-year-old Amy looked like a 30-year-old Ziegfeld Girl
by Anonymous | reply 11 | March 9, 2020 7:19 PM |
Ignore r11, that got cross-posted from another thread
by Anonymous | reply 12 | March 9, 2020 7:20 PM |
Who did the music in the film?
by Anonymous | reply 13 | March 9, 2020 7:41 PM |
Georges Auric
by Anonymous | reply 14 | March 9, 2020 11:30 PM |
It came out around the same time as the similar "A Summer Place" but is so much more frank, sophisticated and entertaining.
by Anonymous | reply 15 | March 10, 2020 12:31 AM |
Preminger discovered Jean Seberg for Saint Joan (1957); critics savaged her; Bonjour Tristesse (1958) was their second together, and she followed it with The Mouse That Roared (1959) and Breathless (1960). Preminger's two films after this were Porgy And Bess (where he took over from Rouben Mamoulian) and the masterpiece, Anatomy Of A Murder (both 1959), followed by Exodus (1960), and Advise And Consent (1962). He was on a roll. But his career went slowly downhill after that. In Harm's Way (1965) and Tell Me That You Love Me, Junie Moon (1970) were pretty good, though.
by Anonymous | reply 16 | March 10, 2020 12:42 AM |
I don’t think it was very well-regarded at the time of its release, but it’s justifiably grown in stature over the years. Deborah Kerr is outstanding — her close-up when she overhears a shocking conversation is heartbreaking. Terrific film.
by Anonymous | reply 17 | March 11, 2020 12:56 PM |
It's a fine film but a little too bleak for my taste. I suspect audiences were scandalized at the time.
by Anonymous | reply 18 | March 11, 2020 12:59 PM |
I also like Preminger’s “Such Good Friends”, R16. Elaine May’s screenplay has some hilariously acid moments, and Dyan Cannon is excellent (although she and Preminger were at each other’s throats during filming.)
by Anonymous | reply 19 | March 12, 2020 12:49 PM |
I posted this a while ago, but Cannon said Preminger couldn't direct his little nephew to the bathroom. Such bad enemies...
by Anonymous | reply 20 | March 12, 2020 10:39 PM |
I loved the book - probably because it was written by a teenage girl (which I was at the time!). The movie? Cinematography, scenery, so beautiful. But I thought Kerr and Niven weren't right. Jean Seberg was great but the other two were miscast. How about a thread suggesting replacements? I don't have the energy but would love to read suggestions!
by Anonymous | reply 21 | March 12, 2020 11:53 PM |
Grace Kelly, Cary Grant and Susan Strasberg.
by Anonymous | reply 22 | March 13, 2020 12:34 AM |
Grace Kelly - no. Cary Grant - yes. Susan Strasberg - yes. Grace Kelly would have been too much. Her personality precedes her plus she was a terrible actress. You're on the right track; please try again!
by Anonymous | reply 23 | March 13, 2020 12:52 AM |
A quiet masterpiece of a film. I think David Niven was a very underrated actor. And Kerr is always a master class. Say what you will about Otto but he always made adult films for adults. I appreciate that so much. Very few adult films.
by Anonymous | reply 24 | March 13, 2020 1:02 AM |
James Mason for Niven; Margaret Leighton for Kerr; Seberg stays.
by Anonymous | reply 25 | March 13, 2020 1:07 AM |
Leighton is a great alternative choice, but I thought Kerr was just fine.
by Anonymous | reply 26 | March 13, 2020 1:09 AM |
R22 Cary Grant and Ingrid Bergman?
by Anonymous | reply 27 | March 13, 2020 2:59 AM |
Fin.
Everybody see "Seberg". Kristen Stewart gives a very affecting performance, and looks gorgeous in 60's fashions. And Jack O'Connell is sex on a stick.
by Anonymous | reply 28 | March 13, 2020 4:28 AM |
R25 / R26 Great suggestions. Do you think this film could be remade? Or is it too dated?
by Anonymous | reply 29 | March 13, 2020 9:02 AM |
I'd like to see it with Denzel Washington and Thandie Newton as the David Niven/Deborah Kerr characters. The Jean Seberg part would be a star-making role for a beautiful black teen actress.
by Anonymous | reply 30 | March 13, 2020 6:30 PM |
I’m in love with those tall, slender, dry-witted British men with posh accents and exquisite manners. David Niven ruined American men for me.
by Anonymous | reply 31 | March 13, 2020 11:54 PM |
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