From "Can I Go Now?" book
One client Sue was happy to see depart during this period was the troublesome, temperamental Faye Dunaway. Sue’s machinations to get Dunaway the part of Evelyn Cross Mulwray in Chinatown had turned out triumphantly: Dunaway had given her best screen performance to date. But there had been plenty of difficulty on the set of The Disappearance of Aimee, a made-for-television film, and found herself in perpetual conflict with director Anthony Harvey and costar Bette Davis.
For many staff members at ICM, Dunaway was a problematic client. Joan Harris of the special services department remembered a time when Dunaway was planning a visit to New York and phoned Harris to ask her which exhibits were going to be on at the city’s art museums. “I would be digging out the information for her,” said Harris, “and she would say, ‘Come on! Quick! Quick!’ I said, ‘Don’t you ever snap your fingers at me again. You are being so rude to me, Faye.’” Dunaway apologized and the next day called Harris to say, “Hi, sweetie—how are you?”
Sue tired of Dunaway’s temperamental outbursts fairly quickly. Some time after Chinatown’s release, Dunaway moved over to agent Joel Dean, who got her a high salary for a role in Stuart Rosenberg’s Voyage of the Damned. Sue was pushing hard for Candice Bergen to play the monomaniacal television executive Diana Christensen in Sidney Lumet’s satirical drama Network, which had a provocative script by Paddy Chayefsky and was predicted to be one of the big pictures of 1976. But MGM’s Daniel Melnick didn’t think Bergen was up to the part and was more interested in hiring Dunaway.
“Every chance she would get,” Joel Dean recalled, “Sue would badmouth Faye. But I won, and Faye got the part.” On March 28, 1977, Dunaway’s performance in Network brought her the Academy Award for Best Actress.
Later, as Dunaway was standing outside the Beverly Hills Hotel, on her way to a victory party Lumet was throwing, Sue walked over to Joel Dean and within Dunaway’s earshot said, “Don’t let this little trophy make Faye think she’s a movie star. She’s not. The only movie star in the whole town is Barbra Streisand. Don’t let Faye get any fancy ideas that this Oscar means she’s worth a million dollars a picture. She’s not worth it.” Dean suggested that Sue go over and tell Dunaway the same thing herself, and Sue shrugged and stalked into the hotel.