Hollywood witches p.3: Black Hollywood Satanic Coven and Fearing the Rise of the Black Messiah

Hey, I listened to Fresh Air today and I don't remember the part about emasculating black men. But that's true about Lookout Mountain Laboratory, Wonderland and the self-contained movie studio where over 1,000 movies were made.

Waitress: Morning!

Man: Well, what've you got?

Waitress: Well, there's egg and bacon; egg sausage and bacon; egg and spam; egg bacon and spam; egg bacon sausage and spam; spam bacon sausage and spam; spam egg spam spam bacon and spam; spam sausage spam spam bacon spam tomato and spam;

Vikings: Spam spam spam spam...

Waitress: ...spam spam spam egg and spam; spam spam spam spam spam spam baked beans spam spam spam...

Vikings: Spam! Lovely spam! Lovely spam!

Waitress: ...or Lobster Thermidor a Crevette with a mornay sauce served in a Provencale manner with shallots and aubergines garnished with truffle pate, brandy and with a fried egg on top and spam.

Wife: Have you got anything without spam?

Waitress: Well, there's spam egg sausage and spam, that's not got much spam in it.

Wife: I don't want ANY spam!

Man: Why can't she have egg bacon spam and sausage?

Wife: THAT'S got spam in it!

Man: Hasn't got as much spam in it as spam egg sausage and spam, has it?

Vikings: Spam spam spam spam... (Crescendo through next few lines...)

Wife: Could you do the egg bacon spam and sausage without the spam then?

Waitress: Urgghh!

Wife: What do you mean 'Urgghh'? I don't like spam!

Vikings: Lovely spam! Wonderful spam!

Waitress: Shut up!

Vikings: Lovely spam! Wonderful spam!

Waitress: Shut up! (Vikings stop) Bloody Vikings! You can't have egg bacon spam and sausage without the spam.

Wife: I don't like spam!

Man: Sshh, dear, don't cause a fuss. I'll have your spam. I love it. I'm having spam spam spam spam spam spam spam beaked beans spam spam spam and spam!

Vikings: Spam spam spam spam. Lovely spam! Wonderful spam!

Waitress: Shut up!! Baked beans are off.

Man: Well could I have her spam instead of the baked beans then?

Waitress: You mean spam spam spam spam spam spam... (but it is too late and the Vikings drown her words)

Vikings: (Singing elaborately...) Spam spam spam spam. Lovely spam! Wonderful spam! Spam spa-a-a-a-a-am spam spa-a-a-a-a-am spam. Lovely spam! Lovely spam! Lovely spam! Lovely spam! Lovely spam! Spam spam spam spam!

What's so hard about skipping thread if you don't like, R2?

(voice over) Number ninety-seven: a radio.

voice on radio: And now the BBC is proud to present a brand new radio drama series: The Death of Mary, Queen of Scots.

Part One: The Beginning.

(music)

man's voice: Yoo arrr Mary, Queen of Scots?

woman's voice: I am! (sound of violent blows being dealt, things being smashed, awful crunching noises, bones being broken, and other bodily harm being inflicted. All of this accompanied by screaming from the woman.)

(music fades up and out)

voice: Stay tuned for part two of the Radio Four Production of "The Death of Mary, Queen of Scots", coming up...almost immediately.

(music)

(sound of saw cutting, and other violent sounds as before, with the woman screaming. Suddenly it is silent.)

man's voice: I think she's dead.

woman's voice: No I'm not!

(sounds of physical harm and screaming start again.)

(music fades up and out)

voice: that was episode two of "The Death of Mary, Queen of Scots", specially adapted for radio by Gracie Fields and Joe Frazier. And now, Radio Four will explode.

(music)

the radio explodes.

Two old women are sitting on the couch listening to the radio when it explodes. One looks at the other:

1: We'll have to watch the Telly-vision!

2: Aaaaw.

(they turn the couch so it's facing the television. One turns the television on, and they sit down. There is a small penguin sitting on top of the television set.)

1 & 2: (singing, mumbled) hhmhmhmhmh... mhmmhmh mhmhm hhmhmmhm mhmhmmhmhmh

1: What's that on top of the telly-vision set?

(pause)

2: (matter-of-factly) Looks like a penguin.

1: What's it doin' there?

2: It's sittin'.

1: I can see that! I meant, why's it there?

2: (pause) I don't know.

1: Where'd it come from?

2: Well, it must have come from the zoo.

1: It can't have come from the zoo! If it had come from the zoo it would have "Property of the Zoo" stamped on it!

2: They don't stamp animals "Property of the Zoo"!!! You can't stamp a huge lion!!

1: (resolute) They stamp them when they're small.

2: Besides, penguins don't come from the zoo! they come from the antartic!

(the television warms up: a man is sitting behind a news desk)

man: And now the penguin on top of your television set will explode.

(the penguin explodes)

1: 'Ow did 'e know that was going to happen?!

man: it was an educated guess. And now:

voice over: Number ninety-eight: the nape of the neck.

Overdone R2.

Four well-dressed men are sitting together at a vacation resort.

'Farewell to Thee' is played in the background on Hawaiian guitar.

FIRST YORKSHIREMAN: Aye, very passable, that, very passable bit of risotto.

SECOND YORKSHIREMAN: Nothing like a good glass of Château de Chasselas, eh, Josiah?

THIRD YORKSHIREMAN: You're right there, Obadiah.

FOURTH YORKSHIREMAN: Who'd have thought thirty year ago we'd all be sittin' here drinking Château de Chasselas, eh?

FIRST YORKSHIREMAN: In them days we was glad to have the price of a cup o' tea.

SECOND YORKSHIREMAN: A cup o' cold tea.

FOURTH YORKSHIREMAN: Without milk or sugar.

THIRD YORKSHIREMAN: Or tea.

FIRST YORKSHIREMAN: In a cracked cup, an' all.

FOURTH YORKSHIREMAN: Oh, we never had a cup. We used to have to drink out of a rolled up newspaper.

SECOND YORKSHIREMAN: The best we could manage was to suck on a piece of damp cloth.

THIRD YORKSHIREMAN: But you know, we were happy in those days, though we were poor.

FIRST YORKSHIREMAN: Because we were poor. My old Dad used to say to me, "Money doesn't buy you happiness, son".

FOURTH YORKSHIREMAN: Aye, 'e was right.

FIRST YORKSHIREMAN: Aye, 'e was.

FOURTH YORKSHIREMAN: I was happier then and I had nothin'. We used to live in this tiny old house with great big holes in the roof.

SECOND YORKSHIREMAN: House! You were lucky to live in a house! We used to live in one room, all twenty-six of us, no furniture, 'alf the floor was missing, and we were all 'uddled together in one corner for fear of falling.

THIRD YORKSHIREMAN: Eh, you were lucky to have a room! We used to have to live in t' corridor!

FIRST YORKSHIREMAN: Oh, we used to dream of livin' in a corridor! Would ha' been a palace to us. We used to live in an old water tank on a rubbish tip. We got woke up every morning by having a load of rotting fish dumped all over us! House? Huh.

FOURTH YORKSHIREMAN: Well, when I say 'house' it was only a hole in the ground covered by a sheet of tarpaulin, but it was a house to us.

SECOND YORKSHIREMAN: We were evicted from our 'ole in the ground; we 'ad to go and live in a lake.

THIRD YORKSHIREMAN: You were lucky to have a lake! There were a hundred and fifty of us living in t' shoebox in t' middle o' road.

FIRST YORKSHIREMAN: Cardboard box?

THIRD YORKSHIREMAN: Aye.

FIRST YORKSHIREMAN: You were lucky. We lived for three months in a paper bag in a septic tank. We used to have to get up at six in the morning, clean the paper bag, eat a crust of stale bread, go to work down t' mill, fourteen hours a day, week-in week-out, for sixpence a week, and when we got home our Dad would thrash us to sleep wi' his belt.

SECOND YORKSHIREMAN: Luxury. We used to have to get out of the lake at six o'clock in the morning, clean the lake, eat a handful of 'ot gravel, work twenty hour day at mill for tuppence a month, come home, and Dad would thrash us to sleep with a broken bottle, if we were lucky!

THIRD YORKSHIREMAN: Well, of course, we had it tough. We used to 'ave to get up out of shoebox at twelve o'clock at night and lick road clean wit' tongue. We had two bits of cold gravel, worked twenty-four hours a day at mill for sixpence every four years, and when we got home our Dad would slice us in two wit' bread knife.

FOURTH YORKSHIREMAN: Right. I had to get up in the morning at ten o'clock at night half an hour before I went to bed, drink a cup of sulphuric acid, work twenty-nine hours a day down mill, and pay mill owner for permission to come to work, and when we got home, our Dad and our mother would kill us and dance about on our graves singing Hallelujah.

FIRST YORKSHIREMAN: And you try and tell the young people of today that ..... they won't believe you.

ALL: They won't!

I get the feeling that someone is trying to sabotage this thread. The question is why? If it's all rubbish, why not ignore?

Tomorrow's the big day for Python fans!

WTF is your problem, R2/4/6?? Stop hijacking this thread!

Witches? Familiars?

What seems to be the problem? You can tell me, I'm a vet you know.

It's important to expose these unholy alliances between Hollywood/CIA/NSA. This is what the bulk of the so-called “defense budget” consists of…maintaining the secrecy of their army of human robots used to distract the masses w/perpetual entertainment — Bread & Circuses

It means “the lust to dominate, ” R1. It's the use of sexual liberation for political control because it create masters out of men’s vices. In other words,

[quote]“Thus, a good man, though a slave, is free; but a wicked man, though a king, is a slave. For he serves, not one man alone, but, what is worse, as many masters as he has vices.” – St. Augustine,City of God

[quote]“As political and economic freedom diminishes, sexual freedom tends compensatingly to increase,” Aldous Huxley

I dunno r12. Was the Soviet Union and Communist China hotbed of sexual liberation?

Yeah, St. Augustine and Aldous Huxley are definitely "wise" and not at all people with twisted sexual agendas.

More on Lookout Mountain, please.

* Lookout Mountain Laboratory was originally envisioned as an air defense center. Built in 1941 and nestled in two-and-a-half secluded acres off what is now Wonderland Park Avenue, the installation was hidden from view and surrounded by an electrified fence. By 1947, the facility featured a fully operational movie studio. In fact, it is claimed that it was perhaps the world's only completely self-contained movie studio. With 100,000 square feet of floor space, the covert studio included sound stages, screening rooms, film processing labs, editing facilities, an animation department, and seventeen climate-controlled film vaults. It also had underground parking, a helicopter pad and a bomb shelter.

* the studio produced some 19,000 classified motion pictures

* the facility was run by the U.S. Air Force

* process AEC footage of atomic and nuclear bomb tests.

* indications that Lookout Mountain Laboratory had an advanced research and development department that was on the cutting edge of new film technologies

* 3-D effects were apparently first developed at the Laurel Canyon site

* Hollywood luminaries like John Ford, Jimmy Stewart, Howard Hawks, Ronald Reagan, Bing Crosby, Walt Disney and Marilyn Monroe were given clearance to work at the facility on undisclosed projects.

* The facility retained as many as 250 producers, directors, technicians, editors, animators, etc., both civilian and military, all with top security clearances and all reporting to work in a secluded corner of Laurel Canyon.

* the secret bunker had been up and running for more than twenty years before Laurel Canyon's rebellious teen years, and it remained operational for the most turbulent of those years

* The existence of the facility remained unknown to the general public until the early 1990s

It's identified as the place which made all of the training films for "Trauma-based mind control". No other place has been identified besides this one. These training films were undoubtedly also a part of the MK-Ultra program and would prove to be an extremely important key

Were James Dean, Natalie Wood, Nick Adams and others some of the first victims of the MK-Ultra experiments? One of the characteristics of Trauma-based mind control is that it breaks down in the mid 20s to 30s. If a candidate cannot be reprogrammed, they are usually dispatched in snuff films, or simply murdered in a staged suicide or accident.

Beware........

White actors who've done drag:

Jared Leto

Willem Defoe

Tony Curtis

Jack Lemmon

Tom Hanks (for years)

Peter Scolari (for years)

Tim Curry

Barry Bostwick

Stephen Dorff

Robin Williams

Patrick Swayze

John Leguizamo (Hispanic)

Nathan Lane

Gene Hackman

Matt Leblanc

Liev Shrieber (twice)

Kurt Russell

Jude Law

Johnny Depp (twice)

John Travolta

John Cameron Mitchell

Jamie Farr (famously)

James Franco

Guy Pearce

Hugo Weaving

Gael Garcia Bernal

Dustin Hoffman

Cillian Murphy

Barry Watson

Adam Sandler

Charlie Chaplin

Fatty Arbuckle

Alec Guinness

Jerry Lewis

Divine

Michael J. Fox

R18, what do you think the relative PERCENTAGE of black actors to white actors donning drag is?

Well, it's almost 100% of black actors. The same cannot be said for white actors.

There is an agenda, even if it has nothing to do with witchcraft. I've read that's the way HW makes black actors less scary to the white population.

Exactly, R20.

I think it also is a means by which the perceived hypermasculinity of black men can be neutralized.

I love you, Monty Python troll. I wanna have your butt babies.

Hollywood Witch troll is my favorite troll!

Cross dressing is a mainstay of comedy, and the vast majority of black actors come from a comedy background. I don't remember Denzel Washington or Sidney Poitier (sp?) ever donning a dress.

Poitier's daughter is beautiful.

Marilyn Monroe, known for being unstable, to put it kindly, was given security clearance to visit the top-secret gummint film studio? Hmm.

By the power of three times three, make them see, make them see.

Wow-

R2 needs to be sedated. That much crazy could cause an aneurysm.

Bump