Gene Tierney's Best: LEAVE HER TO HEAVEN From Criterion March 2020
Novelist Richard Harland (Cornel Wilde) seems to have found the perfect woman in Ellen (Gene Tierney), a beautiful socialite who initiates a whirlwind romance and steers him into marriage before he can think twice. Yet the glassy surface of Ellen’s devotion soon reveals monstrous depths, as Richard comes to realize that his wife is shockingly possessive and may be capable of destroying anyone who comes between them. A singular Hollywood masterpiece that draws freely from the women’s picture and film noir alike, Leave Her to Heaven boasts elegant direction by melodrama specialist John M. Stahl, blazing Technicolor cinematography by Leon Shamroy, and a chilling performance by Tierney, whose Ellen is a femme fatale unlike any other: a woman whose love is as pure as it is poisonous.
SPECIAL FEATURES New 2K digital restoration by Twentieth Century Fox, the Academy Film Archive, and The Film Foundation, with uncompressed monaural soundtrack on the Blu-ray New interview with critic Imogen Sara Smith Trailer PLUS: An essay by novelist Megan Abbott New cover illustration by Flore Maquin
Offsite Linkby Anonymous | reply 34 | March 31, 2020 3:57 AM
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And the scene on the lake, with Tierney in the boat...….!!!
by Anonymous | reply 1 | December 16, 2019 10:52 PM
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Why wasn't this in the collection already? It's very famous for the cinematography.
by Anonymous | reply 2 | December 16, 2019 11:05 PM
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An utter classic. It is BEYOND.
by Anonymous | reply 3 | December 16, 2019 11:07 PM
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Is this really the only color film ever to be considered a film-noir?
by Anonymous | reply 4 | December 16, 2019 11:08 PM
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Life lesson #1: Annoying special needs boys and inconvenient fetuses should never pull focus from a fierce bitch in Warby Parker shades.
by Anonymous | reply 6 | December 16, 2019 11:22 PM
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Ellen!... It's a cramp! Ellen! It's a cramp!.... Elleh! Ellweh! Heh me!
by Anonymous | reply 7 | December 17, 2019 1:19 AM
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Is this the only movie where Cornel Wilde kept his shirt on?
by Anonymous | reply 8 | December 17, 2019 1:31 AM
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Wasn't JFK in love with her?
by Anonymous | reply 9 | December 17, 2019 1:37 AM
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Miscarriage by slipper under carpet edge is brilliant.
by Anonymous | reply 10 | December 17, 2019 1:40 AM
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"Is this really the only color film ever to be considered a film-noir? "
I honestly can't think of another sun-drenched technicolor film noir.
by Anonymous | reply 11 | December 17, 2019 3:41 AM
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Has anybody read the book? Is it worth a read?
Offsite Linkby Anonymous | reply 13 | December 17, 2019 1:18 PM
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Don’t expect miracles with the transfer if Fox threw out the three-strip negatives for a one-strip quick-fade CRI back in the studio’s post-[italic]Hello, Dolly![/italic] pre-[italic]Star Wars[/italic] interim recovering from near bankruptcy. 1970s unlogic at its worst.
by Anonymous | reply 14 | December 17, 2019 1:46 PM
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Nitrate three-strips I mean. Anything shot in three-strip Technicolor on safety stock, which I believe [italic]Niagara[/italic] was, should still have negatives saved.
by Anonymous | reply 15 | December 17, 2019 1:47 PM
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R13 I read the book and liked it a lot.
It's told from each of the character's perspectives and jumps around a lot in the story - but that just adds to the suspense.
The movie sort of dies with Ellen - SORT OF - but if you read the book you are really with each of the characters not just one.... Recommended.
by Anonymous | reply 16 | December 17, 2019 3:04 PM
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The Blu-ray put out by Twilight Time five years ago is very good. I’ve read that the Criterion disc will be from the same transfer, with just a bit of digital cleanup.
by Anonymous | reply 17 | December 17, 2019 3:28 PM
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I am guessing the extras will be different here just as they were for [italic]All About Eve [/italic]. Get them while the getting is good, because the more control the mouse exerts over them, the less likely you are to see releases like this. I hope to Walt’s ashes I am wrong.
It may look “good” in the sense that it is not painful or unpleasant to watch, but that is not the same as an accurate reproduction of the original. That is impossible even with the best digital tools of today. And even Disney magic can only do so much to undo the bad decisions of the past, even their own.
by Anonymous | reply 18 | December 17, 2019 3:43 PM
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Some of the scenes in "Leave Her to Heaven" are so stylish they look like cartoons. Tierney is so beautiful she looks like an airbrush painting.
by Anonymous | reply 19 | December 17, 2019 4:14 PM
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Amazingly one of the actors in the film is still with us: Darryl Hickman
by Anonymous | reply 20 | December 17, 2019 5:18 PM
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“There’s nothing wrong with Ellen. She just loves too much.”
by Anonymous | reply 21 | December 17, 2019 7:10 PM
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“But after all, doctor— he’s a CRIPPLE!”
by Anonymous | reply 22 | December 17, 2019 7:11 PM
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Darryl Hickman did the commentary for the Fox DVD, but it looks like Criterion won't be including it.
by Anonymous | reply 23 | December 17, 2019 7:19 PM
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According to IMDb there are 36 color film-noirs (though for some reason Hitchcock's Spellbound is on the list too; I don't remember any of the scenes in that one being in color).
Offsite Linkby Anonymous | reply 24 | December 17, 2019 9:31 PM
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There is a flash of color in Spellbound when that gun goes off.
by Anonymous | reply 25 | December 17, 2019 9:46 PM
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I'll never let you go. Never, never, never.
Offsite Linkby Anonymous | reply 26 | December 18, 2019 2:36 PM
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Spoiler: I love how she still has a grip on his hand after, you know...
by Anonymous | reply 27 | December 18, 2019 2:55 PM
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Got my disc today! Thanks Criterion Corona-sale!
by Anonymous | reply 28 | March 31, 2020 1:12 AM
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Good as this is, I think Tierney is at her best (and loveliest) in The Ghost and Mrs. Muir.
by Anonymous | reply 29 | March 31, 2020 1:26 AM
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You guys know tnat Fox destroyed all its original three strip Technicolor negatives back in the early 1970s, right? They transferred everything to single strip safety film as a cost cutting measure. Some of the transfers look better than others, including this one, but none of those glorious Fox Technicolor films will ever look as good as when they were originally released. They did a particularly bad job with many of their musicals.
by Anonymous | reply 30 | March 31, 2020 3:13 AM
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You guys know tnat Fox destroyed all its original three strip Technicolor negatives back in the early 1970s, right? They transferred everything to single strip safety film as a cost cutting measure. Some of the transfers look better than others, including this one, but none of those glorious Fox Technicolor films will ever look as good as when they were originally released. They did a particularly bad job with many of their musicals.
by Anonymous | reply 31 | March 31, 2020 3:13 AM
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There's a hilarious review James Agee wrote of this film where he points out that your heart goes out to the Gene Tierney character, Ellen, for killing the younger brother of her husband, Cornel Wilde. The annoying and superpossessive handicapped brat insists on always being with his brother, and so he shows up, unannounced and uninvited, with his elderly pal on her honeymoon (!!). Then he sleeps in the room right next to Ellen's and Cornel Wilde's, so they can't even have sex lest he hear them. Of course she wanted to kill him!
by Anonymous | reply 32 | March 31, 2020 3:28 AM
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[quote] I honestly can't think of another sun-drenched technicolor film noir.
Plein Soleil
by Anonymous | reply 33 | March 31, 2020 3:30 AM
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Desert Fury. The sun drenched Technicolor is usually described as "lurid." And the blatently gay insinuations and subtext is astonishing for a film from the late 1940s.
by Anonymous | reply 34 | March 31, 2020 3:57 AM
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